His eye begets occasion for his wit

From Love’s Labour’s Lost (2.1), Rosaline first describing Berowne/Biron.

Another of these students at that time
Was there with him, if I have heard a truth.
Biron they call him; but a merrier man,
Within the limit of becoming mirth,
I never spent an hour’s talk withal:
His eye begets occasion for his wit;
For every object that the one doth catch
The other turns to a mirth-moving jest,
Which his fair tongue, conceit’s expositor,
Delivers in such apt and gracious words
That aged ears play truant at his tales
And younger hearings are quite ravished;
So sweet and voluble is his discourse.

A cold premeditation for my purpose!

From Henry VI, part 3 (3.2), a reminder of the delight to come with Richard III

GLOUCESTER
Ay, Edward will use women honourably.
Would he were wasted, marrow, bones and all,
That from his loins no hopeful branch may spring,
To cross me from the golden time I look for!
And yet, between my soul’s desire and me–
The lustful Edward’s title buried–
Is Clarence, Henry, and his son young Edward,
And all the unlook’d for issue of their bodies,
To take their rooms, ere I can place myself:
A cold premeditation for my purpose!
Why, then, I do but dream on sovereignty;
Like one that stands upon a promontory,
And spies a far-off shore where he would tread,
Wishing his foot were equal with his eye,
And chides the sea that sunders him from thence,
Saying, he’ll lade it dry to have his way:
So do I wish the crown, being so far off;
And so I chide the means that keeps me from it;
And so I say, I’ll cut the causes off,
Flattering me with impossibilities.
My eye’s too quick, my heart o’erweens too much,
Unless my hand and strength could equal them.
Well, say there is no kingdom then for Richard;
What other pleasure can the world afford?
I’ll make my heaven in a lady’s lap,
And deck my body in gay ornaments,
And witch sweet ladies with my words and looks.
O miserable thought! and more unlikely
Than to accomplish twenty golden crowns!
Why, love forswore me in my mother’s womb:
And, for I should not deal in her soft laws,
She did corrupt frail nature with some bribe,
To shrink mine arm up like a wither’d shrub;
To make an envious mountain on my back,
Where sits deformity to mock my body;
To shape my legs of an unequal size;
To disproportion me in every part,
Like to a chaos, or an unlick’d bear-whelp
That carries no impression like the dam.
And am I then a man to be beloved?
O monstrous fault, to harbour such a thought!
Then, since this earth affords no joy to me,
But to command, to cheque, to o’erbear such
As are of better person than myself,
I’ll make my heaven to dream upon the crown,
And, whiles I live, to account this world but hell,
Until my mis-shaped trunk that bears this head
Be round impaled with a glorious crown.
And yet I know not how to get the crown,
For many lives stand between me and home:
And I,–like one lost in a thorny wood,
That rends the thorns and is rent with the thorns,
Seeking a way and straying from the way;
Not knowing how to find the open air,
But toiling desperately to find it out,–
Torment myself to catch the English crown:
And from that torment I will free myself,
Or hew my way out with a bloody axe.
Why, I can smile, and murder whiles I smile,
And cry ‘Content’ to that which grieves my heart,
And wet my cheeks with artificial tears,
And frame my face to all occasions.
I’ll drown more sailors than the mermaid shall;
I’ll slay more gazers than the basilisk;
I’ll play the orator as well as Nestor,
Deceive more slily than Ulysses could,
And, like a Sinon, take another Troy.
I can add colours to the chameleon,
Change shapes with Proteus for advantages,
And set the murderous Machiavel to school.
Can I do this, and cannot get a crown?
Tut, were it farther off, I’ll pluck it down.

Why, there they are both, baked in that pie;

A morbid curiosity today – but what else can Titus Andronicus produce if you try to take it seriously. It would be mildly interesting to compare the rhetoric of revelation across all scenes of parents being fed their children. Off the top of my head I can only think of Procne feeding Itys to Tereus and Atreus feeding Thyestes his own sons but I think you could include Tantalus’ revelation to the gods about Pelops and Cadmus’ calling Agave to her senses about Pentheus’ head (with, in Euripides’ version, the chilling ‘whose head then are you holding in your arms?’ – τίνος πρόσωπον δῆτ᾽ ἐν ἀγκάλαις ἔχεις;). You’d have to make allowances for period of composition and poetry vs. drama but it could prove interesting to see how different authors handle so over-the-top a revelation without losing control of the atmosphere (as I think Shakespeare does below – where I can only picture Titus as giddy).

TITUS ANDRONICUS
Will’t please you eat? will’t please your
highness feed?
TAMORA
Why hast thou slain thine only daughter thus?
TITUS ANDRONICUS
Not I; ’twas Chiron and Demetrius:
They ravish’d her, and cut away her tongue;
And they, ’twas they, that did her all this wrong.
SATURNINUS
Go fetch them hither to us presently.
TITUS ANDRONICUS
Why, there they are both, baked in that pie;
Whereof their mother daintily hath fed,
Eating the flesh that she herself hath bred.
‘Tis true, ’tis true; witness my knife’s sharp point.
Kills TAMORA

Like the swan’s anxious letting himself down

From Rainer Maria Rilke’s New Poems – with the English translation of Galway Kinnell and Hannah Liebman.  Incidentally, Kinnell’s rendering of Francois Villon is one of the best I’ve tried.

Der Schwan

Diese Mühsal, durch noch Ungetanes
schwer und wie gebunden hinzugehn,
gleicht dem ungeschaffnen Gang des Schwanes.

Und das Sterben, dieses Nichtmehrfassen
jenes Grunds, auf dem wir täglich stehn,
seinem ängstlichen Sich-Niederlassen-:

in die Wasser, die ihn sanft empfangen
und die sich, wie glücklich und vergangen,
unter ihm zurückziehn, Flut um Flut;
während er unendlich still und sicher
immer mündiger und königlicher
und gelassener zu ziehn geruht.

The Swan

This drudgery of trudging through tasks
yet undone, heavily, as if bound,
is like the swan’s not fully created walking.

And dying, this no longer being able
to hold to the ground we stand on every day,
like the swan’s anxious letting himself down –

into the waters, which gently accept him
and, as if happy and already in the past,
draw away under him, ripple upon ripple,
while he, now utterly quiet and sure
and ever more mature and regal
and composed, is pleased to glide.

And I will make it felony to drink small beer

From Henry VI, part 2 (4.2).  

CADE
Be brave, then; for your captain is brave, and vows
reformation. There shall be in England seven
halfpenny loaves sold for a penny: the three-hooped
pot; shall have ten hoops and I will make it felony
to drink small beer: all the realm shall be in
common; and in Cheapside shall my palfrey go to
grass: and when I am king, as king I will be,–
ALL
God save your majesty!
CADE
I thank you, good people: there shall be no money;
all shall eat and drink on my score; and I will
apparel them all in one livery, that they may agree
like brothers and worship me their lord.
DICK
The first thing we do, let’s kill all the lawyers.
CADE
Nay, that I mean to do. Is not this a lamentable
thing, that of the skin of an innocent lamb should
be made parchment? that parchment, being scribbled
o’er, should undo a man? Some say the bee stings:
but I say, ’tis the bee’s wax; for I did but seal
once to a thing, and I was never mine own man
since.

You bade me ban, and will you bid me leave?

From Henry VI, part 2 (3.2) – following Suffolk’s banishment by the King:

SUFFOLK
Cease, gentle queen, these execrations,
And let thy Suffolk take his heavy leave.
QUEEN MARGARET
Fie, coward woman and soft-hearted wretch!
Hast thou not spirit to curse thine enemy?
SUFFOLK
A plague upon them! wherefore should I curse them?
Would curses kill, as doth the mandrake’s groan,
I would invent as bitter-searching terms,
As curst, as harsh and horrible to hear,
Deliver’d strongly through my fixed teeth,
With full as many signs of deadly hate,
As lean-faced Envy in her loathsome cave:
My tongue should stumble in mine earnest words;
Mine eyes should sparkle like the beaten flint;
Mine hair be fixed on end, as one distract;
Ay, every joint should seem to curse and ban:
And even now my burthen’d heart would break,
Should I not curse them. Poison be their drink!
Gall, worse than gall, the daintiest that they taste!
Their sweetest shade a grove of cypress trees!
Their chiefest prospect murdering basilisks!
Their softest touch as smart as lizards’ sting!
Their music frightful as the serpent’s hiss,
And boding screech-owls make the concert full!
All the foul terrors in dark-seated hell–
QUEEN MARGARET
Enough, sweet Suffolk; thou torment’st thyself;
And these dread curses, like the sun ‘gainst glass,
Or like an overcharged gun, recoil,
And turn the force of them upon thyself.
SUFFOLK
You bade me ban, and will you bid me leave?
Now, by the ground that I am banish’d from,
Well could I curse away a winter’s night,
Though standing naked on a mountain top,
Where biting cold would never let grass grow,
And think it but a minute spent in sport.

These follies are within you and shine through you like the water in an urinal

From Two Gentlemen of Verona (2.1):

VALENTINE
Why, how know you that I am in love?
SPEED
Marry, by these special marks: first, you have
learned, like Sir Proteus, to wreathe your arms,
like a malecontent; to relish a love-song, like a
robin-redbreast; to walk alone, like one that had
the pestilence; to sigh, like a school-boy that had
lost his A B C; to weep, like a young wench that had
buried her grandam; to fast, like one that takes
diet; to watch like one that fears robbing; to
speak puling, like a beggar at Hallowmas. You were
wont, when you laughed, to crow like a cock; when you
walked, to walk like one of the lions; when you
fasted, it was presently after dinner; when you
looked sadly, it was for want of money: and now you
are metamorphosed with a mistress, that, when I look
on you, I can hardly think you my master.
VALENTINE
Are all these things perceived in me?
SPEED
They are all perceived without ye.
VALENTINE
Without me? they cannot.
SPEED
Without you? nay, that’s certain, for, without you
were so simple, none else would: but you are so
without these follies, that these follies are within
you and shine through you like the water in an
urinal, that not an eye that sees you but is a
physician to comment on your malady.

A urinal at this time was a glass vessel used by a doctor for storing and examining a patient’s urine.