From the opening chapter of Melville’s Moby Dick. I normally read this novel in 1-2 consuming sittings but I’d like to try something different this time and hit no more than a few chapters each day.

No, when I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal mast-head. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one’s sense of honor, particularly if you come of an old established family in the land, the Van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tar-pot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from a schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time.

What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scales of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain’t a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way—either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other’s shoulder-blades, and be content.

There’s a fascinating thread running through the novel of ruminations prompted by thumping, slapping, and striking. Jump to Stubb’s dream in ch.31 (Queen Mab) and you find:

“Such a queer dream, King-Post, I never had. You know the old man’s ivory leg, well I dreamed he kicked me with it; and when I tried to kick back, upon my soul, my little man, I kicked my leg right off! And then, presto! Ahab seemed a pyramid, and I, like a blazing fool, kept kicking at it. But what was still more curious, Flask—you know how curious all dreams are—through all this rage that I was in, I somehow seemed to be thinking to myself, that after all, it was not much of an insult, that kick from Ahab. ‘Why,’ thinks I, ‘what’s the row? It’s not a real leg, only a false leg.’ And there’s a mighty difference between a living thump and a dead thump. That’s what makes a blow from the hand, Flask, fifty times more savage to bear than a blow from a cane. The living member—that makes the living insult, my little man. And thinks I to myself all the while, mind, while I was stubbing my silly toes against that cursed pyramid—so confoundedly contradictory was it all, all the while, I say, I was thinking to myself, ‘what’s his leg now, but a cane—a whalebone cane. Yes,’ thinks I, ‘it was only a playful cudgelling—in fact, only a whaleboning that he gave me—not a base kick. Besides,’ thinks I, ‘look at it once; why, the end of it—the foot part—what a small sort of end it is; whereas, if a broad footed farmer kicked me, there’s a devilish broad insult. But this insult is whittled down to a point only.’ But now comes the greatest joke of the dream, Flask. While I was battering away at the pyramid, a sort of badger-haired old merman, with a hump on his back, takes me by the shoulders, and slews me round. ‘What are you ’bout?’ says he. Slid! man, but I was frightened. Such a phiz! But, somehow, next moment I was over the fright. ‘What am I about?’ says I at last. ‘And what business is that of yours, I should like to know, Mr. Humpback? Do you want a kick?’ By the lord, Flask, I had no sooner said that, than he turned round his stern to me, bent over, and dragging up a lot of seaweed he had for a clout—what do you think, I saw?—why thunder alive, man, his stern was stuck full of marlinspikes, with the points out. Says I, on second thoughts, ‘I guess I won’t kick you, old fellow.’ ‘Wise Stubb,’ said he, ‘wise Stubb;’ and kept muttering it all the time, a sort of eating of his own gums like a chimney hag. Seeing he wasn’t going to stop saying over his ‘wise Stubb, wise Stubb,’ I thought I might as well fall to kicking the pyramid again. But I had only just lifted my foot for it, when he roared out, ‘Stop that kicking!’ ‘Halloa,’ says I, ‘what’s the matter now, old fellow?’ ‘Look ye here,’ says he; ‘let’s argue the insult. Captain Ahab kicked ye, didn’t he?’ ‘Yes, he did,’ says I—‘right here it was.’ ‘Very good,’ says he—‘he used his ivory leg, didn’t he?’ ‘Yes, he did,’ says I. ‘Well then,’ says he, ‘wise Stubb, what have you to complain of? Didn’t he kick with right good will? it wasn’t a common pitch pine leg he kicked with, was it? No, you were kicked by a great man, and with a beautiful ivory leg, Stubb. It’s an honor; I consider it an honor. Listen, wise Stubb. In old England the greatest lords think it great glory to be slapped by a queen, and made garter-knights of; but, be your boast, Stubb, that ye were kicked by old Ahab, and made a wise man of. Remember what I say; be kicked by him; account his kicks honors; and on no account kick back; for you can’t help yourself, wise Stubb. Don’t you see that pyramid?’ With that, he all of a sudden seemed somehow, in some queer fashion, to swim off into the air. I snored; rolled over; and there I was in my hammock! Now, what do you think of that dream, Flask?”

And further on in Fleece’s speech to the sharks (ch 64 Stubb’s Supper):

“Do you is all sharks, and by natur wery woracious, yet I zay to you, fellow-critters, dat dat woraciousness—’top dat dam slappin’ ob de tail! How you tink to hear, spose you keep up such a dam slappin’ and bitin’ dare?”

“Cook,” cried Stubb, collaring him, “I won’t have that swearing. Talk to ’em gentlemanly.”

Once more the sermon proceeded.

“Your woraciousness, fellow-critters, I don’t blame ye so much for; dat is natur, and can’t be helped; but to gobern dat wicked natur, dat is de pint. You is sharks, sartin; but if you gobern de shark in you, why den you be angel; for all angel is not’ing more dan de shark well goberned. Now, look here, bred’ren, just try wonst to be cibil, a helping yourselbs from dat whale. Don’t be tearin’ de blubber out your neighbour’s mout, I say. Is not one shark dood right as toder to dat whale? And, by Gor, none on you has de right to dat whale; dat whale belong to some one else. I know some o’ you has berry brig mout, brigger dan oders; but den de brig mouts sometimes has de small bellies; so dat de brigness of de mout is not to swaller wid, but to bit off de blubber for de small fry ob sharks, dat can’t get into de scrouge to help demselves.”

“Well done, old Fleece!” cried Stubb, “that’s Christianity; go on.”

“No use goin’ on; de dam willains will keep a scougin’ and slappin’ each oder, Massa Stubb; dey don’t hear one word; no use a-preachin’ to such dam g’uttons as you call ’em, till dare bellies is full, and dare bellies is bottomless; and when dey do get ’em full, dey wont hear you den; for den dey sink in de sea, go fast to sleep on de coral, and can’t hear not’ing at all, no more, for eber and eber.”

And last of the suggestive samples, from chapter 86 (The Tail):

Other poets have warbled the praises of the soft eye of the antelope, and the lovely plumage of the bird that never alights; less celestial, I celebrate a tail.
…
But as if this vast local power in the tendinous tail were not enough, the whole bulk of the leviathan is knit over with a warp and woof of muscular fibres and filaments, which passing on either side the loins and running down into the flukes, insensibly blend with them, and largely contribute to their might; so that in the tail the confluent measureless force of the whole whale seems concentrated to a point. Could annihilation occur to matter, this were the thing to do it.

Nor does this—its amazing strength, at all tend to cripple the graceful flexion of its motions; where infantileness of ease undulates through a Titanism of power. On the contrary, those motions derive their most appalling beauty from it. Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic. Take away the tied tendons that all over seem bursting from the marble in the carved Hercules, and its charm would be gone. As devout Eckerman lifted the linen sheet from the naked corpse of Goethe, he was overwhelmed with the massive chest of the man, that seemed as a Roman triumphal arch. When Angelo paints even God the Father in human form, mark what robustness is there. And whatever they may reveal of the divine love in the Son, the soft, curled, hermaphroditical Italian pictures, in which his idea has been most successfully embodied; these pictures, so destitute as they are of all brawniness, hint nothing of any power, but the mere negative, feminine one of submission and endurance, which on all hands it is conceded, form the peculiar practical virtues of his teachings.

Such is the subtle elasticity of the organ I treat of, that whether wielded in sport, or in earnest, or in anger, whatever be the mood it be in, its flexions are invariably marked by exceeding grace. Therein no fairy’s arm can transcend it.
…
It is a little significant, that while one sperm whale only fights another sperm whale with his head and jaw, nevertheless, in his conflicts with man, he chiefly and contemptuously uses his tail. In striking at a boat, he swiftly curves away his flukes from it, and the blow is only inflicted by the recoil. If it be made in the unobstructed air, especially if it descend to its mark, the stroke is then simply irresistible. No ribs of man or boat can withstand it. Your only salvation lies in eluding it; but if it comes sideways through the opposing water, then partly owing to the light buoyancy of the whale-boat, and the elasticity of its materials, a cracked rib or a dashed plank or two, a sort of stitch in the side, is generally the most serious result. These submerged side blows are so often received in the fishery, that they are accounted mere child’s play. Some one strips off a frock, and the hole is stopped.

In shared lament for the upcoming semester a colleague left me a cake pop with this message attached – it is Stubb from ch. 39 of Moby Dick, one of Melville’s theatrically-conceived chapters:

Fore-Top.
(Stubb solus, and mending a brace.)
Ha! ha! ha! ha! hem! clear my throat!—I’ve been thinking over it ever since, and that ha, ha’s the final consequence. Why so? Because a laugh’s the wisest, easiest answer to all that’s queer; and come what will, one comfort’s always left—that unfailing comfort is, it’s all predestinated. I heard not all his talk with Starbuck; but to my poor eye Starbuck then looked something as I the other evening felt. Be sure the old Mogul has fixed him, too. I twigged it, knew it; had had the gift, might readily have prophesied it—for when I clapped my eye upon his skull I saw it. Well, Stubb, wise Stubb—that’s my title—well, Stubb, what of it, Stubb? Here’s a carcase. I know not all that may be coming, but be it what it will, I’ll go to it laughing. Such a waggish leering as lurks in all your horribles! I feel funny. Fa, la! lirra, skirra! What’s my juicy little pear at home doing now? Crying its eyes out?—Giving a party to the last arrived harpooneers, I dare say, gay as a frigate’s pennant, and so am I—fa, la! lirra, skirra! Oh—

We’ll drink to-night with hearts as light,
To love, as gay and fleeting
As bubbles that swim, on the beaker’s brim,
And break on the lips while meeting.

A brave stave that—who calls? Mr. Starbuck? Aye, aye, sir—(Aside) he’s my superior, he has his too, if I’m not mistaken.—Aye, aye, sir, just through with this job—coming.

Stubb is always an easy target for critics for his express refusal to engage anything with seriousness. I don’t think the character should be believed on that point – he takes an oblique, jocular angle to engagement and multiple times must warn himself away from hard thinking – but even if he is, it doesn’t discount the rich intuitive sense Melville allows him. See the sequence of chs 29-31:

CHAPTER 29. Enter Ahab; to Him, Stubb.
Some days elapsed, and ice and icebergs all astern, the Pequod now went rolling through the bright Quito spring, which, at sea, almost perpetually reigns on the threshold of the eternal August of the Tropic. The warmly cool, clear, ringing, perfumed, overflowing, redundant days, were as crystal goblets of Persian sherbet, heaped up—flaked up, with rose-water snow. The starred and stately nights seemed haughty dames in jewelled velvets, nursing at home in lonely pride, the memory of their absent conquering Earls, the golden helmeted suns! For sleeping man, ’twas hard to choose between such winsome days and such seducing nights. But all the witcheries of that unwaning weather did not merely lend new spells and potencies to the outward world. Inward they turned upon the soul, especially when the still mild hours of eve came on; then, memory shot her crystals as the clear ice most forms of noiseless twilights. And all these subtle agencies, more and more they wrought on Ahab’s texture.

Old age is always wakeful; as if, the longer linked with life, the less man has to do with aught that looks like death. Among sea-commanders, the old greybeards will oftenest leave their berths to visit the night-cloaked deck. It was so with Ahab; only that now, of late, he seemed so much to live in the open air, that truly speaking, his visits were more to the cabin, than from the cabin to the planks. “It feels like going down into one’s tomb,”—he would mutter to himself—“for an old captain like me to be descending this narrow scuttle, to go to my grave-dug berth.”

So, almost every twenty-four hours, when the watches of the night were set, and the band on deck sentinelled the slumbers of the band below; and when if a rope was to be hauled upon the forecastle, the sailors flung it not rudely down, as by day, but with some cautiousness dropt it to its place for fear of disturbing their slumbering shipmates; when this sort of steady quietude would begin to prevail, habitually, the silent steersman would watch the cabin-scuttle; and ere long the old man would emerge, gripping at the iron banister, to help his crippled way. Some considering touch of humanity was in him; for at times like these, he usually abstained from patrolling the quarter-deck; because to his wearied mates, seeking repose within six inches of his ivory heel, such would have been the reverberating crack and din of that bony step, that their dreams would have been on the crunching teeth of sharks. But once, the mood was on him too deep for common regardings; and as with heavy, lumber-like pace he was measuring the ship from taffrail to mainmast, Stubb, the old second mate, came up from below, with a certain unassured, deprecating humorousness, hinted that if Captain Ahab was pleased to walk the planks, then, no one could say nay; but there might be some way of muffling the noise; hinting something indistinctly and hesitatingly about a globe of tow, and the insertion into it, of the ivory heel. Ah! Stubb, thou didst not know Ahab then.

“Am I a cannon-ball, Stubb,” said Ahab, “that thou wouldst wad me that fashion? But go thy ways; I had forgot. Below to thy nightly grave; where such as ye sleep between shrouds, to use ye to the filling one at last.—Down, dog, and kennel!”

Starting at the unforseen concluding exclamation of the so suddenly scornful old man, Stubb was speechless a moment; then said excitedly, “I am not used to be spoken to that way, sir; I do but less than half like it, sir.”

“Avast! gritted Ahab between his set teeth, and violently moving away, as if to avoid some passionate temptation.

“No, sir; not yet,” said Stubb, emboldened, “I will not tamely be called a dog, sir.”

“Then be called ten times a donkey, and a mule, and an ass, and begone, or I’ll clear the world of thee!”

As he said this, Ahab advanced upon him with such overbearing terrors in his aspect, that Stubb involuntarily retreated.

“I was never served so before without giving a hard blow for it,” muttered Stubb, as he found himself descending the cabin-scuttle. “It’s very queer. Stop, Stubb; somehow, now, I don’t well know whether to go back and strike him, or—what’s that?—down here on my knees and pray for him? Yes, that was the thought coming up in me; but it would be the first time I ever did pray. It’s queer; very queer; and he’s queer too; aye, take him fore and aft, he’s about the queerest old man Stubb ever sailed with. How he flashed at me!—his eyes like powder-pans! is he mad? Anyway there’s something on his mind, as sure as there must be something on a deck when it cracks. He aint in his bed now, either, more than three hours out of the twenty-four; and he don’t sleep then. Didn’t that Dough-Boy, the steward, tell me that of a morning he always finds the old man’s hammock clothes all rumpled and tumbled, and the sheets down at the foot, and the coverlid almost tied into knots, and the pillow a sort of frightful hot, as though a baked brick had been on it? A hot old man! I guess he’s got what some folks ashore call a conscience; it’s a kind of Tic-Dolly-row they say—worse nor a toothache. Well, well; I don’t know what it is, but the Lord keep me from catching it. He’s full of riddles; I wonder what he goes into the after hold for, every night, as Dough-Boy tells me he suspects; what’s that for, I should like to know? Who’s made appointments with him in the hold? Ain’t that queer, now? But there’s no telling, it’s the old game—Here goes for a snooze. Damn me, it’s worth a fellow’s while to be born into the world, if only to fall right asleep. And now that I think of it, that’s about the first thing babies do, and that’s a sort of queer, too. Damn me, but all things are queer, come to think of ’em. But that’s against my principles. Think not, is my eleventh commandment; and sleep when you can, is my twelfth—So here goes again. But how’s that? didn’t he call me a dog? blazes! he called me ten times a donkey, and piled a lot of jackasses on top of that! He might as well have kicked me, and done with it. Maybe he did kick me, and I didn’t observe it, I was so taken all aback with his brow, somehow. It flashed like a bleached bone. What the devil’s the matter with me? I don’t stand right on my legs. Coming afoul of that old man has a sort of turned me wrong side out. By the Lord, I must have been dreaming, though—How? how? how?—but the only way’s to stash it; so here goes to hammock again; and in the morning, I’ll see how this plaguey juggling thinks over by daylight.”

CHAPTER 31. Queen Mab.
Next morning Stubb accosted Flask.

“Such a queer dream, King-Post, I never had. You know the old man’s ivory leg, well I dreamed he kicked me with it; and when I tried to kick back, upon my soul, my little man, I kicked my leg right off! And then, presto! Ahab seemed a pyramid, and I, like a blazing fool, kept kicking at it. But what was still more curious, Flask—you know how curious all dreams are—through all this rage that I was in, I somehow seemed to be thinking to myself, that after all, it was not much of an insult, that kick from Ahab. ‘Why,’ thinks I, ‘what’s the row? It’s not a real leg, only a false leg.’ And there’s a mighty difference between a living thump and a dead thump. That’s what makes a blow from the hand, Flask, fifty times more savage to bear than a blow from a cane. The living member—that makes the living insult, my little man. And thinks I to myself all the while, mind, while I was stubbing my silly toes against that cursed pyramid—so confoundedly contradictory was it all, all the while, I say, I was thinking to myself, ‘what’s his leg now, but a cane—a whalebone cane. Yes,’ thinks I, ‘it was only a playful cudgelling—in fact, only a whaleboning that he gave me—not a base kick. Besides,’ thinks I, ‘look at it once; why, the end of it—the foot part—what a small sort of end it is; whereas, if a broad footed farmer kicked me, there’s a devilish broad insult. But this insult is whittled down to a point only.’ But now comes the greatest joke of the dream, Flask. While I was battering away at the pyramid, a sort of badger-haired old merman, with a hump on his back, takes me by the shoulders, and slews me round. ‘What are you ’bout?’ says he. Slid! man, but I was frightened. Such a phiz! But, somehow, next moment I was over the fright. ‘What am I about?’ says I at last. ‘And what business is that of yours, I should like to know, Mr. Humpback? Do you want a kick?’ By the lord, Flask, I had no sooner said that, than he turned round his stern to me, bent over, and dragging up a lot of seaweed he had for a clout—what do you think, I saw?—why thunder alive, man, his stern was stuck full of marlinspikes, with the points out. Says I, on second thoughts, ‘I guess I won’t kick you, old fellow.’ ‘Wise Stubb,’ said he, ‘wise Stubb;’ and kept muttering it all the time, a sort of eating of his own gums like a chimney hag. Seeing he wasn’t going to stop saying over his ‘wise Stubb, wise Stubb,’ I thought I might as well fall to kicking the pyramid again. But I had only just lifted my foot for it, when he roared out, ‘Stop that kicking!’ ‘Halloa,’ says I, ‘what’s the matter now, old fellow?’ ‘Look ye here,’ says he; ‘let’s argue the insult. Captain Ahab kicked ye, didn’t he?’ ‘Yes, he did,’ says I—‘right here it was.’ ‘Very good,’ says he—‘he used his ivory leg, didn’t he?’ ‘Yes, he did,’ says I. ‘Well then,’ says he, ‘wise Stubb, what have you to complain of? Didn’t he kick with right good will? it wasn’t a common pitch pine leg he kicked with, was it? No, you were kicked by a great man, and with a beautiful ivory leg, Stubb. It’s an honor; I consider it an honor. Listen, wise Stubb. In old England the greatest lords think it great glory to be slapped by a queen, and made garter-knights of; but, be your boast, Stubb, that ye were kicked by old Ahab, and made a wise man of. Remember what I say; be kicked by him; account his kicks honors; and on no account kick back; for you can’t help yourself, wise Stubb. Don’t you see that pyramid?’ With that, he all of a sudden seemed somehow, in some queer fashion, to swim off into the air. I snored; rolled over; and there I was in my hammock! Now, what do you think of that dream, Flask?”

“I don’t know; it seems a sort of foolish to me, tho.’”

“May be; may be. But it’s made a wise man of me, Flask. D’ye see Ahab standing there, sideways looking over the stern? Well, the best thing you can do, Flask, is to let the old man alone; never speak to him, whatever he says. Halloa! What’s that he shouts? Hark!”

“Mast-head, there! Look sharp, all of ye! There are whales hereabouts!

“If ye see a white one, split your lungs for him!

“What do you think of that now, Flask? ain’t there a small drop of something queer about that, eh? A white whale—did ye mark that, man? Look ye—there’s something special in the wind. Stand by for it, Flask. Ahab has that that’s bloody on his mind. But, mum; he comes this way.”

My father loves his dividends and his religion, though generally not in that order. He sidesteps the inconsistency by refusing to acknowledge corporate abuses so when the topic comes up I can’t help nettling him with the below – from Ch. 16 of Moby Dick:

Like Captain Peleg, Captain Bildad was a well-to-do, retired whaleman. But unlike Captain Peleg—who cared not a rush for what are called serious things, and indeed deemed those self-same serious things the veriest of all trifles—Captain Bildad had not only been originally educated according to the strictest sect of Nantucket Quakerism, but all his subsequent ocean life, and the sight of many unclad, lovely island creatures, round the Horn—all that had not moved this native born Quaker one single jot, had not so much as altered one angle of his vest. Still, for all this immutableness, was there some lack of common consistency about worthy Captain Bildad. Though refusing, from conscientious scruples, to bear arms against land invaders, yet himself had illimitably invaded the Atlantic and Pacific; and though a sworn foe to human bloodshed, yet had he in his straight-bodied coat, spilled tuns upon tuns of leviathan gore. How now in the contemplative evening of his days, the pious Bildad reconciled these things in the reminiscence, I do not know; but it did not seem to concern him much, and very probably he had long since come to the sage and sensible conclusion that a man’s religion is one thing, and this practical world quite another. This world pays dividends.

From chapter 9 of Moby-Dick, Father Mapple’s sermon on Jonah:

All dressed and dusty as he is, Jonah throws himself into his berth, and finds the little state-room ceiling almost resting on his forehead. The air is close, and Jonah gasps. Then, in that contracted hole, sunk, too, beneath the ship’s water-line, Jonah feels the heralding presentiment of that stifling hour, when the whale shall hold him in the smallest of his bowels’ wards.

“Screwed at its axis against the side, a swinging lamp slightly oscillates in Jonah’s room; and the ship, heeling over towards the wharf with the weight of the last bales received, the lamp, flame and all, though in slight motion, still maintains a permanent obliquity with reference to the room; though, in truth, infallibly straight itself, it but made obvious the false, lying levels among which it hung. The lamp alarms and frightens Jonah; as lying in his berth his tormented eyes roll round the place, and this thus far successful fugitive finds no refuge for his restless glance. But that contradiction in the lamp more and more appals him. The floor, the ceiling, and the side, are all awry. ‘Oh! so my conscience hangs in me!’ he groans, ‘straight upwards, so it burns; but the chambers of my soul are all in crookedness!’

“Like one who after a night of drunken revelry hies to his bed, still reeling, but with conscience yet pricking him, as the plungings of the Roman race-horse but so much the more strike his steel tags into him; as one who in that miserable plight still turns and turns in giddy anguish, praying God for annihilation until the fit be passed; and at last amid the whirl of woe he feels, a deep stupor steals over him, as over the man who bleeds to death, for conscience is the wound, and there’s naught to staunch it; so, after sore wrestlings in his berth, Jonah’s prodigy of ponderous misery drags him drowning down to sleep.