The character of old Falstaff, even with all his faults, gives me more consolation than the most studied efforts of wisdom

The opening of Oliver Goldsmith’s Reverie at the Boar’s Head Tavern, Eastcheap – part surreal dream dialogue, part moral satire (available online here)

The improvements we make in mental acquirements only render us each day more sensible of the defects of our constitution; with this in view, therefore, let us often recur to the amusements of youth; endeavor to forget age and wisdom, and as far as innocence goes, be as much a boy as the best of them.

Let idle declaimers mourn over the degeneracy of the age; but, in my opinion, every age is the same. This I am sure of, that man in every season is a poor fretful being, with no other means to escape the calamities of the times but by endeavoring to forget them; for if he attempts to resist, he is certainly undone. If I feel poverty and pain, I am not so hardy as to quarrel with the executioner, even while under correction: I find myself no way disposed to make fine speeches, while I am making wry faces. In a word, let me drink when the fit is on, to make me insensible; and drink when it is over, for joy that I feel pain no longer.

The character of old Falstaff, even with all his faults, gives me more consolation than the most studied efforts of wisdom. I here behold an agreeable old fellow, forgetting age, and showing me the way to be young at sixty-five. Sure I am well able to be as merry, though not so comical as he. Is it not in my power to have, though not so much wit, at least as much vivacity? Age, care, wisdom, reflection, begone! I give you to the winds. Let’s have t’other bottle; here’s to the memory of Shakspeare, Falstaff, and all the merry men of Eastcheap!

Such were the reflections that naturally arose while I sat at the Boar’s Head tavern, still kept at Eastcheap. Here, by a pleasant fire, in the very room where old Sir John Falstaff cracked his jokes, in the very chair which was sometimes honored by prince Henry, and sometimes polluted by his immoral merry companions, I sat and ruminated on the follies of youth; wished to be young again, but was resolved to make the best of life while it lasted, and now and then compared past and present times together. I considered myself as the only living representative of the old knight, and transported my imagination back to the times when the prince and he gave life to the revel, and made even debauchery not disgusting. The room also conspired to throw my reflections back into antiquity: the oak floor, the Gothic windows, and the ponderous chimney-piece, had long withstood the tooth of time. The watchman had gone twelve; my companions had all stolen off; and none now remained with me but the landlord. From him I could have wished to know the history of a tavern, that had such a long succession of customers. I could not help thinking that an account of this kind would be a pleasing contrast of the manners of different ages; but my landlord could give me no information. He continued to doze and sot, and tell a tedious story, as most other landlords usually do; and, though he said nothing, yet was never silent: one good joke followed another good joke; and the best joke of all was generally begun towards the end of a bottle. I found at last, however, his wine and his conversation operate by degrees: he insensibly began to alter his appearance; his cravat seemed quilled into a ruff, and his breeches swelled out into a fardingale. I now fancied him changing sexes; and as my eyes began to close in slumber, I imagined my fat landlord actually converted into as fat a landlady. However, sleep made but few changes in my situation: the tavern, the apartment, and the table, continued as before; nothing suffered mutation but my host, who was fairly altered into a gentlewoman, whom I knew to be dame Quickly, mistress of this tavern in the days of Sir John; and the liquor we were drinking, which seemed converted into sack and sugar.

Without espousing the cause of any party, I have attempted to moderate the rage of all

Healthy thoughts from Oliver Goldsmith’s dedicatory letter to his brother for The Traveller

…. Poetry makes a principal amusement among unpolished nations; but in a country verging to the extremes of refinement, Painting and Music come in for a share. As these offer the feeble mind a less laborious entertainment, they at first rival Poetry, and at length supplant her; they engross all that favour once shown to her, and though but younger sisters, seize upon the elder’s birthright.

Yet, however this art may be neglected by the powerful, it is still in greater danger from the mistaken efforts of the learned to improve it. What criticisms have we not heard of late in favour of blank verse, and Pindaric odes, choruses, anapaests and iambics, alliterative care and happy negligence! Every absurdity has now a champion to defend it; and as he is generally much in the wrong, so he has always much to say; for error is ever talkative.

But there is an enemy to this art still more dangerous, I mean Party. Party entirely distorts the judgment, and destroys the taste. When the mind is once infected with this disease, it can only find pleasure in what contributes to increase the distemper. Like the tiger, that seldom desists from pursuing man after having once preyed upon human flesh, the reader, who has once gratified his appetite with calumny, makes, ever after, the most agreeable feast upon murdered reputation. Such readers generally admire some half-witted thing, who wants to be thought a bold man, having lost the character of a wise one. Him they dignify with the name of poet; his tawdry lampoons are called satires, his turbulence is said to be force, and his frenzy fire.

What reception a Poem may find, which has neither abuse, party, nor blank verse to support it, I cannot tell, nor am I solicitous to know. My aims are right. Without espousing the cause of any party, I have attempted to moderate the rage of all. I have endeavoured to show, that there may be equal happiness in states, that are differently governed from our own; that every state has a particular principle of happiness, and that this principle in each may be carried to a mischievous excess. There are few can judge, better than yourself, how far these positions are illustrated in this Poem.