From Aldous Huxely’s Those Barren Leaves:
The road is steep that leads up from Vezza to the palace of the Cybo Malaspina, perched on the hill above the town. The Italian sun can shine most powerfully, even in September, and olive trees give but little shade. The young man with the peaked cap and the leather wallet slung over his shoulder pushed his bicycle slowly and wearily up the hill. Every now and then he halted, wiped his face and sighed. It was on an evil day, he was thinking, on a black, black day for the poor postmen of Vezza that the insane old Englishwoman with the impossible name bought this palace; and a blacker day still when she had elected to come and live in it. In the old days the place had been quite empty. A couple of peasant families had lived in the out-houses; that was all. Not more than one letter a month between them, and as for telegrams – why, there had never been a telegram for the palace in all the memory of man. But those happy days were now over, and what with letters, what with packets of newspapers and parcels, what with expresses and telegrams, there was never a day and scarcely an hour in the day when some one from the office wasn’t toiling up to this accursed house.
True, the young man went on thinking, one got a good tip for bringing a telegram or an express. But being a young man of sense, he preferred leisure, if a choice had to be made, to money. The expense of energy was not to be compensated for by the three francs he would receive at the end of the climb. Money brings no satisfaction if one has to work for it; for if one works for it one has no time to spend it.